Sep 222014
 
Kentucky coffee tree Gymnocladus dioicus, Hauser + Wirth Gallery

Bruton, Somerset

This is Gymnocladus dioicus, the Kentucky coffeetree. There’s a line of them at the Piet Oudolf garden at the Hauser + Wirth Gallery in Somerset. Apparently they come into leaf late and drop their leaves early, so presumably Mr Oudolf chose them for their architectural quality. The seeds can be roasted to make a coffee substitute, apparently.

Sep 192014
 
Piet Oudolf's garden at the Hauser + Wirth Gallery, Somerset

Bruton, Somerset

Much excitement has been surrounding Piet Oudolf’s new garden at the new Hauser + Wirth Gallery in Somerset. I was one of the people who was excited about it, so I was very pleased to get the chance to visit.

The gallery and restaurant is extremely swanky – some challenging art, neon lights spelling ‘Everything Will Be OK’ on one of the building walls, throbbing music in the exceedingly cool bar area and lots of trendy people. It’s what you’d expect to find in a capital city, which isn’t surprising as the other Hauser + Wirth galleries are in New York, London and Zurich. To be honest, it made me feel a bit uneasy – it just didn’t seem to sit comfortably in deepest Somerset.

As for the garden, there are some beautiful planting combinations (my favourite is below), and quite a few plants that I didn’t recognise, which is always interesting. The place was positively buzzing with bees and butterflies.

Piet Oudolf field, Hauser + Wirth Gallery, Bruton, Somerset
Interestingly, the non-gardeners in our group didn’t ‘get’ the garden at all. I tried to explain the naturalistic style, the planting in drifts, the fact that it’s all very new and will take a while to establish. But they still didn’t get it, or even like it very much. And I must admit it didn’t quite do it for me, either. Maybe it was the simple fact that the garden isn’t established – the perennials are dominating at the moment, and the grasses need to mature to give more structure. Or maybe it was the clock sculpture, which dominates somewhat (and ticks annoyingly). Maybe it was the bright green grass paths which look a bit odd, the lack of structure, or the lack of a sense of enclosure. I’ve been wowed by Piet Oudolf’s planting in the past, especially at Pensthorpe a few years ago, but this time I was surprised to find myself thinking that I’ve seen it all before.

Piet Oudolf field, Hauser + Wirth Gallery, Bruton, Somerset